By Evin Schuchardt, Jeremy Nelissen, Ryan Kerbow and Wesley Konderla
Goal:
Our goal was to once again go to a poetry slam to go more in depth in our analysis of both the reasons poets recite what they do as well as the reasons the crowd reacts. In doing this we hope to gain a better understanding of the emotional state of the guests.
Setting:
Sunday night around 10PM was fairly windy. The slam took place outside this time which made much more room for people to sit. There were about 60 people outside in attendance and 7 inside at the bar.
People:
The main MC was back heading the slam. There were a couple regular poets I noticed, however, there were more faces I did not recognize than normal. At least half of the poets for open mic I had never seen before. Many of them were from Austin who came with the feature performance. The DJ was also a different person than usual. The bartender was the same person.
Mood of Poetry:
This night was filled with expressive poetry of accusation of others, expression of self as the better way of life, and sex. There were two types of poems that were told: the poem either involved the condemnation of someone or some class of people, or the poet crying out in pain (physical, emotional, or spiritual). It put a very dark mood on the night. Often, when a poet would express a poem that was anticipated to be deeply heart-wrenching, sad, or convicting, they would often ask to perform one more of a bit lighter mood. This was interesting because the poet did not want to leave the stage with the audience hurt. This at first did not make sense to me, but as more people did it, by their words I found that it was not so much for the audience but for the next poet. They respected the upcoming poet and therefore did not want to have the audience in a mood that would alter their connection with their poem.
Response of Audience:
The response I saw from the audience was exactly what I expected from our previous encounters at poetry slam. Snaps, claps, and cheers rose up for anti-religion, pro-spirituality, hauntings from the past, and thoughts against political policies.
Goal:
Our goal was to once again go to a poetry slam to go more in depth in our analysis of both the reasons poets recite what they do as well as the reasons the crowd reacts. In doing this we hope to gain a better understanding of the emotional state of the guests.
Setting:
Sunday night around 10PM was fairly windy. The slam took place outside this time which made much more room for people to sit. There were about 60 people outside in attendance and 7 inside at the bar.
People:
The main MC was back heading the slam. There were a couple regular poets I noticed, however, there were more faces I did not recognize than normal. At least half of the poets for open mic I had never seen before. Many of them were from Austin who came with the feature performance. The DJ was also a different person than usual. The bartender was the same person.
Mood of Poetry:
This night was filled with expressive poetry of accusation of others, expression of self as the better way of life, and sex. There were two types of poems that were told: the poem either involved the condemnation of someone or some class of people, or the poet crying out in pain (physical, emotional, or spiritual). It put a very dark mood on the night. Often, when a poet would express a poem that was anticipated to be deeply heart-wrenching, sad, or convicting, they would often ask to perform one more of a bit lighter mood. This was interesting because the poet did not want to leave the stage with the audience hurt. This at first did not make sense to me, but as more people did it, by their words I found that it was not so much for the audience but for the next poet. They respected the upcoming poet and therefore did not want to have the audience in a mood that would alter their connection with their poem.
Response of Audience:
The response I saw from the audience was exactly what I expected from our previous encounters at poetry slam. Snaps, claps, and cheers rose up for anti-religion, pro-spirituality, hauntings from the past, and thoughts against political policies.